We’re sad to share that Richard Shindell’s show tomorrow night has been cancelled due to a family emergency. He’s rescheduled his performance for May 2nd, 2026 at The Listening Booth.

All current ticket holders have been contacted directly with options.

Thank you for your understanding, and we’re sending Richard and his family our best. We look forward to welcoming him in May.

Richard Shindell lives as both an immigrant and emigrant, crossing thresholds, that informs his illumination of the human experience through narrative song. Shindell has inhabited a Zen Buddhist monastery and busked in the streets of Paris. Originally from New York, now living in Buenos Aires, Argentina, Shindell is a writer whose songs paint pictures, tell stories, juxtapose ideas and images, inhabit characters, vividly evoking entire worlds along the way and expanding our sense of just what it is a song may be. Meticulously recorded over three years in New York and Buenos Aires, his most recent release, Careless, offered an ambitious, luxurious, full- length statement. Shindell immersed himself in the studio, allowing the time and latitude to explore, experiment, take risks—to play—as each of these eleven songs was given form and substance. While his signature acoustic guitar style is used to good effect, Careless also found Shindell plugging in more. “The wider sonic and dynamic range of the electric has been a real inspiration. Rejuvenating.” During the pandemic, Shindell stayed in Argentina, out on the wide open Pampa, reading, writing, taking walks, doing a little experimental recording, and tending the garden. He now returns to the road for a limited number of performances. Innovative, original and occasionally spiritual, Shindell’s songs weave tales that interchangeably champion the downtrodden, exalt the disaffected or wax empathetic to those lost to society’s fringes. From lighthearted ballads and adulterous love songs, to dirges and diatribes that skillfully skewer politics, prejudice, war and religion, to the comic point-of-view of a cow stuck in a barbed wire fence, he has a unique ability to morph into the soul of the many and varied personalities he casts as narrators in certain songs—veritable novellas framed in haunting acoustic melodies.

Jillian Matundan is a unique singer-songwriter and multi-instrumentalist who continues to win over audiences with her warm, resonant vocals. Her songs tell stories that are relatable, while her unique guitar-style, and inviting stage presence draws her audience into every performance. Hailing from Central New York, Jillian began training as a concert violinist at the age of three, while also learning piano, flute, and sitar. A musician to her core, Jillian, taught herself how to play other instruments including the guitar, string bass, and percussion. After a fifteen-year hiatus from writing and playing her own music, to focus on a career in the labor movement, Jillian has returned to performing and has since won many awards and recognitions (including twelve Mid-Atlantic Songwriting Awards); collaborating, playing and recording with other musicians; while playing venues that include Club Passim, The Bitter End, Rockwood Music Hall, Jammin' Java, and the Edwards Opera House. She has opened for Susan Werner, Natalia Zuckerman, Jesse Terry, Rachael Kilgour, Scott Cook, Michael Clem, Greg Howard, and Anne Hills. Jillian’s debut EP, "Hangin' On” was released in June 2020. Her first full-length album, “Singing to the Moon” debuted at No. 6 on the FAI Folk Chart in March 2024. Jillian is a first-generation Filipina American. Jillian also plays with the McLean Symphony and Reston Community Orchestra. She is involved with a number of organizations, including Focus Music (DC/Baltimore Metro), where she is the President. She is a proud trade unionist and lives in Northern Virginia.